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Gallery
Current Works: 2025
Current Works: 2024
Altered Methods
Creative Process
Abandoned
Analog
Blackbird 2024
About
CV
Contact
Caroline Loftus
Gallery
Current Works: 2025
Current Works: 2024
Altered Methods
Creative Process
Abandoned
Analog
Blackbird 2024
About
CV
Contact
Caroline Loftus
Folder: Gallery
Back
Current Works: 2025
Current Works: 2024
Altered Methods
Creative Process
Abandoned
Analog
Blackbird 2024
About
CV
Contact
Part 1: 
The table is set; both plants and pigments are assembled. View fullsize

Part 1: The table is set; both plants and pigments are assembled.

Part 2: Plants are placed on the glass. View fullsize

Part 2: Plants are placed on the glass.

Part 3: Close up of plants placed on the glass before contact with photographic paper. View fullsize

Part 3: Close up of plants placed on the glass before contact with photographic paper.

Part 4: Close up of plants being placed on the glass before contact with photographic paper. View fullsize

Part 4: Close up of plants being placed on the glass before contact with photographic paper.

Part 5: Incense burns as plants are being placed, creating a calm environment for art making. View fullsize

Part 5: Incense burns as plants are being placed, creating a calm environment for art making.

Part 6: Dyes are placed on plants before contact with photographic paper. View fullsize

Part 6: Dyes are placed on plants before contact with photographic paper.

Part 7: Paper is placed and pressed between glass and cardboard, creating good contact. Then, the lumen print is brought outside to expose. View fullsize

Part 7: Paper is placed and pressed between glass and cardboard, creating good contact. Then, the lumen print is brought outside to expose.

Part 8: Chemistry is set up for toning and fixing the lumen print after exposure. View fullsize

Part 8: Chemistry is set up for toning and fixing the lumen print after exposure.

Part 9:  The lumen print is toned and fixed to become light safe. View fullsize

Part 9: The lumen print is toned and fixed to become light safe.

Part 10: The lumen print is now light safe, and wis rinsed of residual chemistry and is ready to be dried. View fullsize

Part 10: The lumen print is now light safe, and wis rinsed of residual chemistry and is ready to be dried.

Part 1: 
The table is set; both plants and pigments are assembled.
Part 2: Plants are placed on the glass.
Part 3: Close up of plants placed on the glass before contact with photographic paper.
Part 4: Close up of plants being placed on the glass before contact with photographic paper.
Part 5: Incense burns as plants are being placed, creating a calm environment for art making.
Part 6: Dyes are placed on plants before contact with photographic paper.
Part 7: Paper is placed and pressed between glass and cardboard, creating good contact. Then, the lumen print is brought outside to expose.
Part 8: Chemistry is set up for toning and fixing the lumen print after exposure.
Part 9:  The lumen print is toned and fixed to become light safe.
Part 10: The lumen print is now light safe, and wis rinsed of residual chemistry and is ready to be dried.

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carolineloftus.art@outlook.com