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Gallery
Altered Methods
Creative Process
Current Works
Abandoned
Analog
Blackbird 2024
About
CV
Contact
Caroline Loftus
Gallery
Altered Methods
Creative Process
Current Works
Abandoned
Analog
Blackbird 2024
About
CV
Contact
Caroline Loftus
Folder: Gallery
Back
Altered Methods
Creative Process
Current Works
Abandoned
Analog
Blackbird 2024
About
CV
Contact
Part 1: 
The table is set; both plants and pigments are assembled. View fullsize

Part 1: The table is set; both plants and pigments are assembled.

Part 2: Plants are placed on the glass. View fullsize

Part 2: Plants are placed on the glass.

Part 3: Close up of plants placed on the glass before contact with photographic paper. View fullsize

Part 3: Close up of plants placed on the glass before contact with photographic paper.

Part 4: Close up of plants being placed on the glass before contact with photographic paper. View fullsize

Part 4: Close up of plants being placed on the glass before contact with photographic paper.

Part 5: Incense burns as plants are being placed, creating a calm environment for art making. View fullsize

Part 5: Incense burns as plants are being placed, creating a calm environment for art making.

Part 6: Dyes are placed on plants before contact with photographic paper. View fullsize

Part 6: Dyes are placed on plants before contact with photographic paper.

Part 7: Paper is placed and pressed between glass and cardboard, creating good contact. Then, the lumen print is brought outside to expose. View fullsize

Part 7: Paper is placed and pressed between glass and cardboard, creating good contact. Then, the lumen print is brought outside to expose.

Part 8: Chemistry is set up for toning and fixing the lumen print after exposure. View fullsize

Part 8: Chemistry is set up for toning and fixing the lumen print after exposure.

Part 9:  The lumen print is toned and fixed to become light safe. View fullsize

Part 9: The lumen print is toned and fixed to become light safe.

Part 10: The lumen print is now light safe, and wis rinsed of residual chemistry and is ready to be dried. View fullsize

Part 10: The lumen print is now light safe, and wis rinsed of residual chemistry and is ready to be dried.

Part 1: 
The table is set; both plants and pigments are assembled.
Part 2: Plants are placed on the glass.
Part 3: Close up of plants placed on the glass before contact with photographic paper.
Part 4: Close up of plants being placed on the glass before contact with photographic paper.
Part 5: Incense burns as plants are being placed, creating a calm environment for art making.
Part 6: Dyes are placed on plants before contact with photographic paper.
Part 7: Paper is placed and pressed between glass and cardboard, creating good contact. Then, the lumen print is brought outside to expose.
Part 8: Chemistry is set up for toning and fixing the lumen print after exposure.
Part 9:  The lumen print is toned and fixed to become light safe.
Part 10: The lumen print is now light safe, and wis rinsed of residual chemistry and is ready to be dried.

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carolineloftus.art@outlook.com